Topeng Ireng Wira Catra in Wanurejo Village Magelang District: an Analysis of the Development of Performance Form and Function
DOI:
https://doi.org/10.24036/jsu.v14i2.17Keywords:
Development, Form, Function, Topeng IrengAbstract
This study aims to describe the development of form and functional transformation in the Topeng Ireng Wira Catra performance over time. This research employs a descriptive qualitative method with two main approaches: historical study and structural-functional analysis. Data were collected through direct observation, in-depth interviews, and documentation, with data validation carried out using triangulation techniques. The findings reveal that the performance structure of Topeng Ireng Wira Catra includes performance patterns, movements, makeup and costumes, music, performance venues, lighting, and sound systems. The development of the performance form involves changes in performance patterns, movements, makeup and costumes, and music, occurring across three periods: 1999–2006, 2007–2014, and 2015–2025. One consistent characteristic that has been preserved is the use of traditional instruments, the rearrangement of old songs without incorporating the dangdut genre, and the presentation of classic rodat accompanied by distinctive Topeng Ireng movements, which distinguish the group from others. In addition to changes in form, the function of the performance has also evolved—from its original ritualistic role to one that now serves as community entertainment, a means of tourism and economic promotion, and a medium for strengthening local social solidarity.
References
Amandha, N., Suanto, S., & Nurdiyana, N. (2023). Fungsi Sosial Pagelaran Seni Reog Ponorogo untuk Mempererat. Jurnal Moral Kemasyarakatan, 8(2), 204–213.
Baharuddin, B. (2015). Bentuk-Bentuk Perubahan Sosial dan Kebudayaan. Jurnal Al-Hikmah, 9(2), 180–205.
Bandem, I. M. (1996). Etnologi Tari Bali. Kanisius (Anggota IKAPI).
Hidayat, H. A., Nursyirwan, N., & Minawati, R. (2017). INTERAKSI SOSIAL DALAM KESENIAN KOMPANG PADA MASYARAKAT DUSUN DELIK, BENGKALIS. Bercadik: Jurnal Pengkajian Dan Penciptaan Seni, 4(2), 196. https://doi.org/http://dx.doi.org/10.26887/bcdk.v4i2.547
Jazuli, M. (1994). Telaah Teoritis Seni Tari. In Ikip Semarang Press (Pertama). IKIP Semarang Press.
Kiswanto, K., & Sunarto, B. (2019). Gedrukan, Regeng, dan Pemicu Semangat Gerak: Makna Pemakaian Kelinthing dalam Pertunjukan Topeng Ireng. Jurnal Kajian Seni, 6(1), 1–15.
Kuncoro, A. D., Hayunarso, R. D., Putri, F. J., & Septemuryantoro, S. A. (2022). Topeng Ireng Sekar Rimba: The Most Popular Traditional Dance Performance in Magelang. Proceedings of International Seminar on Translation, Applied Linguistics, Literature, and Cultural Studies, 1(1), 180–187.
Lestari, N. K. A. D., Suryani, N. N. M., & Sutirtha, I. W. (2023). Representasi Spirit Hyang Pertiwi Dalam Tari Legong Kreasi Maha Widya. Jurnal Igel: Journal Of Dance, 3(1), 17–26.
Made, N., & Erawati, P. (2019). Pariwisata Dan Budaya Kreatif : Sebuah Studi Tentang Tari Kecak Di Bali. 5, 1–6.
Mayangsari, R. A., & Sekti, R. P. (2021). Bentuk Pertunjukan dan Nilai Karakter Kesenian Pencak di Sanggar Karya Muda Kecamatan Gumukmas Kabupaten Jember. APRON Jurnal Pemikiran Seni Pertunjukan, 9(1).
Meilasari, Pinta Puspa. (2014). Perkembangan Bentuk Penyajian Tari Topeng Irang Periwa Rimba. Jurnal Skripsi, 1–9.
Miles, M. B., & Huberman, A. M. (2014). Qualitative Data Analysis An Expanded Sourcebook (R. Holland (ed.); Second). Sage Publications.
Moleong, L. J. (2017). Metodologi penelitian kualitatif (Revisi). Bandung: PT Remaja Rosdakarya, 102–107.
Nevanda, L. A. (2024). Value Transformation : History Of The Topeng Ireng Art In Magelang 2010-2022. Journal of Islamic History, 3(1), 86–104. https://doi.org/10.53088/jih.v3i1.1079
Prabandari, Ig. A. A. I. M., & Kurniawan, I. G. A. (2023). Pentingnya Kesadaran Menjaga Kesenian Khususnya Kesenian Daerah Bali Pada Anak Sekolah Dasar Desa Mengesta. XVII(2).
Sa’ati, Z. L., & Indriyanto, I. (2022). Estetika Bentuk Pertunjukan Tari Kuda Lumping Satriyo Wibowo Kecamatan Kranggan Kabupaten Temanggung. Jurnal Seni Tari, 11, 1–12.
Sari, J. T., & Rahmah, S. (2023). Tari Payung pada Masyarakat Pesisir Sibolga : Kajian Fungsi. XII(1), 76–84.
Setyomuryantono, T., Trinugraha, Y. H., Studi, P., Sosiologi, P., & Keguruan, F. (2022). Perubahan Fungsi Seni Tradisi Rontek Pacitan. 11(1), 17–33.
Sugiyono. (2020). Metode Penelitian Kualitatif (S. Y. Suryandari (ed.); Ke-3). Alfabeta CV.
Sugiyono, S. (2015). Metode Penelitian Kombinasi (mixed methods). In Bandung: Alfabeta (Vol. 28, Issue 1, p. 12).
Sulistiyarini, S., & Handayani, W. R. (2023). Tradisi Lisan Kesenian Topeng Ireng di Kabupaten Magelang : Kajian Etnolinguistik. Jurnal Metahumaniora, 13(2), 114–122.
Tiala, D., & Ayriza, Y. (2006). Psikologi Pendidikan. Yogyakarta. UNY Press.
Downloads
Published
Issue
Section
License
Copyright (c) 2025 Puji Maharani Hidayat & R. Indriyanto
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
